But then, in another mood, I hesitated to read a book about a fabulously wealthy woman—it seemed trivial, out of key with my own struggles and with the work I was trying to do.
Of course, moods change, and this summer with no Dalloway deadlines, I thought I might dip into something light. (As you can see, from what’s been appearing here, it’s been fairly light fare all month.)
Born to a wealthy family (her mother was English and died when Bernier was quite young, her father, an American Jew), Bernier grew up in and around the Philadelphia Orchestra. She dropped out of college to marry Lewis Riley, Jr. She lived with him in Mexico City where she became acquainted with Frida Kahlo, Diego Rivera, Malcolm Lowry. Her musicianship and acquaintance with composers, conductors, and artists, set her on her amazing life path, from features editor for American Vogue to founding editor of L’OEIL to esteemed lecturer on fine arts at the Metropolitan Museum of Art in New York.
Bernier writes affectionately of her brief first marriage and with tremendous, joyous wonder of her happy, third marriage to the art critic John Russell. The second husband is only mentioned as the source of complications. It’s a kind of social death for him through very controlled, polite restraint. Curious and sad, but not to be dwelt on when there is so much joy and genius all around her and she is so generous and funny about it.
Bernier is clearly the kind of woman to whom amazing, exciting things happen. The striking cover photo of her in a lovely satin slip, lounging in a four-poster bed came about one night when she couldn’t find any lodging in rural France one night in 1947—nothing, until the man she had come to interview offered her the chance to spend the night in Madame de Sevigné’s bed.
The book is beautifully written and full of amazing anecdotes—stories of what Picasso said to her, what Lenny Bernstein did for her, what she made of Jane and Paul Bowles, how Frida Kahlo probably liked her because she had a pet monkey.
The anecdotes of the famous are great and, when you read it, you’ll have your own favorites, but I keep thinking about a simpler and perhaps even more amzing story: her first husband had a small airplane (it’s nice to be rich) and taught her to fly. She writes that she has a terrible sense of direction, but flying in Acapulco was easy: she would just take off and fly along the coast until she found a beach that she liked the look of and land there for a day of swimming and bathing.
That world is gone, and perhaps that’s to the good. But I suspect the spirit of the young woman who seized that chance to explore is what made her such a trusted confidante of so many of the great artists of the past century.